[Ross] |
[Hannah] |
Hannah wore a denim jacket over the black hoodie, overall I felt the plain black hoodie suited the band style more as it reduced the colour scheme, therefore I photoshoped it to blend with the hoodie.
Hannah has a wide range of useful stances in her photoshoot, although my favourite bodily pose had a leg pose which wasn't as suitable, therefore I photoshopped a more suitable image of her legs in.
Hannah wore brightly coloured floral tights, again I thought this might have been too many colours in the image and therefore saturated them and blended them down with a semi transparent black layer.
Rich wore a black shirt originally, since Hannah and Alex were already wearing a black hoodie, I through that his shirt should be closer in colour to Ross's grey hoodie, therefore edited to a shade of grey ensuring it wasn't exactly like Ross's or it would have blended with his.
Ross and Rich had some great photos, and was torn between two stances. In the end I varied them between both band poses although kept the same head for each of them since it had an idea expression.
On all members I edited the contrast, brightness, lightness, saturation and used the burn tool in areas to increase the shadowing and spot mark higher contrast areas. These changes resulted in a highly tailored and ideal set of band images.
[Band Images] |
Other Photos;
The other elements I had to photograph for my design were; the "headlights" of a car and wide stance legs for the cover, the interior of the car for the back cover, as well as a range of headlights/break light images using a slow shutter speed creating the neon line/blurred effect.
Here is a small selection of the car headlight images. As this image was meant to be a rather intimidating and threatening, I took the photos from a low angle to connote power and authority, and used my friends Stag Triumph as the model. I decided this was the best car for the job because of its vintage muscle appearance and duel rally style headlights. This turned out to be perfect and lead to an extremely effective set of images, especially when edited.
The next set of photographs was for the wide stance legs and interior, this small selection shows the main approaches I took. These photos turned out well, although in the end I photoshopped a more suitable car image in from a previous photo, and photoshopped a different hand in due to the light bleaching. I also decided for continuity it was best not to use a band member/actor as the man in front of the car, therefore put the camera on timer, and used an image of myself. Despite these changes, I was very happy with how well the photo shoot went, managing to collect a wide range of useful images in a relatively short amount of time.
My next challenge was to gather car headlight/break light images using the slow shutter setting. This was something I had never done before, and the only opportunities I had to go out were past peak road usage times. This left me with unpredictable waves of cars, yet still produced some impressive images. As shown in this selection of photos, I captured both headlights and break lights, corresponding with "Scarlet" in the band name, as well as the headlights to link with the featured track. To get these images, I visited several locations at various times to get a good selection and variation of images. I also took photos through the car windscreen when travelling to these locations, to get a more perspective based image as if the lights were all around (as required for the front and back cover). Despite this, I knew I would be able to use the perspective/skew/transform tools on photoshop to create a similar effect with my standard road images. Overall I feel these photos were extremely successful and were very good for a first attempt at the style.
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